The Bell Shakuhachi 1.8 D
The first and only jinashi shakuhachi replicas for sale
Handcrafted by me from my bamboo eco-composite material
I can make about five Bells a week. I alert everyone on the mailing list when they’re available each week. This way everyone gets a fair chance and getting one. Thank you all for your patience.
The Bell Shakuhachi 1.8 D
- My bamboo eco-composite material is lighter than ABS and it won’t crack or split from changes in weather like other shakuhachi
- One-piece so there’s no center joint to worry about breaking
- Free introductory one-hour live lesson over video chat (no purchase necessary, offered to all)
Click to enlarge
I have a collection of shakuhachi from the most well known and respected makers in Japan and the US, both jinashi and jiari shakuhachi. The combination of look and feel, playability, tone, fullness of tone, and tuning on your Bell is unmatched, not to mention the price. It is an incredible instrument, as high quality as any top end shakuhachi. In fact, 3 weeks ago I played a new shakuhachi by one of the best Japanese makers that was for sale for more than $5,000, and from what I recall the tone of your Bell is on the same level as that one, but the tuning and playability of your Bell are even better.
I would highly, highly recommend your Bell to anyone who plays shakuhachi. For professionals, it not only makes the perfect all weather/environment travel flute due to being composite bamboo and not prone to cracking, but it plays and sounds absolutely amazing. Everyone should have one in their collection! For beginners, there is no better shakuhachi. Before today, a beginner would have to pay hundreds of dollars for a shakuhachi that could do only half of what your Bell can do, or thousands of dollars for one of a similar level of quality. Amazing work! I love it!
I can highly recommend the Bell Shakuhachi for any player starting out on the long and windy shakuhachi journey or for anyone who needs a sturdy shakuhachi to travel with or have lying around in the house so you can pick it up and play at when-ever you happen to pass by it without worrying about it cracking. I am really happy we now have this decent priced alternative to a bamboo shakuhachi!
I’m absolutely blown away by the Bell. It feels good through and through and plays amazingly well. I highly recommend the Bell to anyone. They will be amazed.
I often play outside in poor weather with extreme temperatures and I have had shakuhachi crack, damaged, or stolen in the past. So it’s also great to have a rugged, go anywhere, worry free shakuhachi that looks and feels like a jinashi shakuhachi.
I am a Komuso in Osaka, Japan. Jerry in Nara let me borrow one of your Bell shakuhachi. I played it and liked it…a lot! I showed it to my Sensei who is VERY particular about Shakuhachi. He was impressed with your work. Not only the look but the sound. So much so he had me take my lesson for the day on the Bell shauhachi instead of mine. He said “This [The Bell] will help you learn more. You can improve with this flute. I recommend this flute [the Bell] for sessions with modern instruments as well as honkouku.”
Congrats on a job well done.
I received the Bell today and oh my God, it sounds incredible. I didn’t realize how much I would enjoy the experience of playing a Jinashi flute until I received the Bell. I have been playing a Jiari flute that was supplied to me by a shakuhachi teacher in San Diego, which sounds incredible, breathy, loud and powerful. But even though the Bell is the “cheaper” shakuhachi, it is more in-tune than the Jiari, it is easier to play, more enjoyable, and it is MINE. Not to mention that it is absolutely beautiful on the outside.
I can also play it at any volume I desire, and it has this natural, mystical sound that sucks me into the experience of playing it. I just have to say, it went above and beyond all expectations and I am so blessed to have this in my possession. You did an absolutely amazing job, and this Shakuhachi will be my new companion, and I have no doubt that it can last a lifetime. Thank you so much.
I received the Bell Shakuhachi. You have done a fine job! I love the aesthetic of the root end and the subtle coloration. The blowing is easy and the sound is true. You were right that I love the Ro! What I am happiest about is that you are perfecting the Bell, and making it available at an affordable price for your students… which makes it easy for both students to acquire a quality jinashi shakuhachi and makes it easier for you as teacher, knowing exactly what sound the Bell is capable of making. You have done a wonderful thing!
Your work for these past ten years to create a composite jinashi replica will make life much easier for shakuhachi students of the future. Thank you, again, Jon, for your dedication, your art, and your generosity of spirit. All the best.
“What’s the line down the back of the Bell Shakuhachi?”
The line down the back to the left of the thumb-hole (see the images below) is a superficial impression line from where the mold opens and closes. It varies from mold to mold and sometimes I have to sand it down and polish it in places. Being superficial, it’s only cosmetic.
“How is the Bell different from other plastic and wooden shakuhachi and how does it compare to the original?”
The Bell is the first and only available copy of a jinashi natural bamboo shakuhachi while other plastic/ABS and wooden shakuhachi out there are copies of jiari shakuhachi. This is significant because jinashi have natural bamboo bores while jiari have man-made plastered smooth bores. Quality 1.8 jinashi shakuhachi are extremely rare because of the difficulty in acquiring madaké bamboo with ideal dimensions and due to the higher level of skill that’s required to make them.
A truly great piece of bamboo for a 1.8 jinashi is about 1 out of 100, if we’re being generous. As seen above, the Bell retains every visible detail of the original shakuhachi from which it was copied. The Bell is also made out of a more eco-friendly bamboo composite material and actually looks like bamboo. My bamboo eco-composite material is lighter than 100% plastic shakuhachi at about 370 grams, it’s better for the environment, and it won’t crack or split from changes in the weather like other shakuhachi.
The mold also copies every little detail down to the fine bamboo grain. I make the molds by hand as well as each Bell because 3D printing cannot currently match this high level of definition. The result is an unparalleled copy, as seen above.
“Why is the utaguchi [blowing-edge] shallow?”
As seen above, the Bell shakuhachi has a similar utaguchi blowing edge depth to antique shakuhachi.
“How should I care for my Bell shakuhachi?”
All you have to do is periodically clean the inside as you would with any shakuhachi. Avoid leaving the Bell in temperatures exceeding 120° F / 49° C. You can clean the outside with mild soap and a smooth non-abrasive cloth.
“Why did you make the Bell?”
I made the Bell because quality jinashi shakuhachi are extremely rare and expensive, especially 1.8’s. I couldn’t even keep up with a meager demand for expensive $2000-$3000 dollar 1.8’s because nature only gave me about 5 or less a year. Furthermore, most people could not afford these prices. As a teacher, I naturally wanted everyone to have a high quality shakuhachi for the most affordable price. The solution was to copy one of my jinashi shakuhachi, inside and out, and make affordable replicas. This would be the only way that many people would ever play a high quality 1.8 jinashi, regardless of their budget, simply due to their rarity.
For instance, it took me over a decade just to find a piece of madaké bamboo with the ideal dimensions for the Bell project. I harvested hundreds of pieces of madaké bamboo and sourced some from Japan as well. They have to be painstakingly dug up by the roots which is very hard labor. They then have to be heated over hot coals very carefully, lovingly dried in the sun for a month, and then further dried in storage for 2 years or more. After all of this, a piece could prove to be unsuitable once the nodes are opened up and the preliminary work is done on the finger holes. At this rate, $3,000 begins to look like a bargain I believe, even if most of us cannot afford it.
“When did you copy your first jinashi shakuhachi inside and out?”
I began experimenting with copying jinashi shakuhachi back in 2007. In 2012 I was the first person to copy a jinashi shakuhachi inside and out, and in 2013 I released the first itiration of the Bell. I then decided to discontinue it in order to make a more ideal jinashi shakuhachi for the project, to perfect my process, and to develop my bamboo eco-composite material. In November of 2018 I finally released the current Bell shakuhachi.
Countries the Bell shakuhachi calls home
Australia, Austria, Canada, Chile, China, Cyprus, Denmark, Ecuador, Finland, France, Germany, Greece, Ireland, Israel, Italy, Japan, Mexico, The Netherlands, New Zealand, Norway, Portugal, Romania, South Africa, South Korea, Spain, Sweden, Switzerland, Trinidad and Tobago, UK, USA